Metaphors of Liberation: Exploring the Imagistic Techniques and Visual Language in Tagore’s Chandalika
Metaphors of Liberation: Exploring the Imagistic Techniques and Visual Language in Tagore’s Chandalika

Summary/Abstract: Rabindranath Tagore’s dramatic techniques employ a rich tapestry of symbolic language, where imagery serves as a vehicle for both narrative progression and the expression of complex social critiques. Set against the backdrop of rigid caste hierarchies prevalent in society, the play presents the transformative journey of Prakriti, an untouchable woman who confronts the deeply ingrained social prejudices of her time. Through its poetic language and richly layered imagery, Chandalika goes beyond a mere narrative of social critique to become a profound meditation on human dignity, identity, and freedom. Through a detailed analysis of these imagistic elements, this study highlights how Tagore’s visual language not only enriches the dramatic experience but also invites a deeper understanding of the socio-cultural issues addressed in the play. The paper argues that Chandalika serves as a powerful example of how metaphors of liberation, when intertwined with visual symbolism, can transcend the constraints of conventional drama to deliver a potent message of human dignity and self-worth.

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