Handel as Apollo. The Composer’s Apotheoses in Eighteenth-Century Literature
and Art Cover Image

Händel jako Apollo. Gloryfikacje kompozytora w literaturze i sztuce XVIII wieku
Handel as Apollo. The Composer’s Apotheoses in Eighteenth-Century Literature and Art

Author(s): Michał Sołtysik
Subject(s): Music, History of Art
Published by: Instytut Sztuki Polskiej Akademii Nauk
Keywords: Handel and Apollo; composer apotheosis; idolising an artist; artist as god; musicians’ apotheoses; deification in art;

Summary/Abstract: Handel was one of the few Baroque composers to enjoy the status of a ‘deified’artist already in his lifetime. One still unresearched Handel-related topic is the history ofthe composer’s representations as the mythological Apollo, an ancient deity importantin modern-age aesthetics and considered as particularly suitable for artist apotheoses.This article presents a survey and interpretation of examples from eighteenth-centuryliterature and works of art in which Handel was directly compared to Apollo, or inwhich Apolline symbolism or the attributes of that god of music were employed toemphasise the composer’s status.

  • Issue Year: 69/2024
  • Issue No: 3
  • Page Range: 47-84
  • Page Count: 38
  • Language: Polish
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