Kreacyjna funkcja muzyki w horrorach Romana Polańskiego
The creative function of music in Roman Polański’s horror films

Summary/Abstract: The article analyzes film music that serves a creative function in Roman Polański’s horror films Rosemary’s Baby, The Tenant, and The Ninth Gate. It examines how music, including leitmotifs, diegetic and non-diegetic music, influences the narrative and atmosphere of the films. It emphasizes that music not only accompanies the visuals but primarily intensifies the drama and sense of unease, serving as a key element in creating the audiovisual experience. The content of the article combines interdisciplinary theoretical and analytical issues, revealing the complex role of music in Roman Polański’s horror films.

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