Guerras y polémicas en el “Aposentamiento en Juvera” del Cancionero de obras de burlas provocantes a risa (1519)
Wars and Polemics in the “Aposentamiento en Juvera” in Cancionero de obras de burlas provocantes a risa (1519)

Summary/Abstract: The Cancionero de obras de burlas provocantes a risa (1519) contains a series of compositions on the lively, controversial and satirical relationships that the lawyers and politicians of Spain displayed in their busy and conflictive cultural life. Within the context of the greed of the papal entourage and the politics of Archbishop Alonso Carrillo during the difficult settlement of Rodrigo Borja’s legation in Alcalá de Henares, our work will study how the first dramatic-historical composition of the “Aposentamiento en Juvera” represents a codification of the literary representation of the fight against the infidel, as shown by some fragments which, treated with ambiguity and controversy, have led us to the cycle of the “poemas fronterizos”The Cancionero de obras de burlas provocantes a risa (1519) contains a series of compositions on the lively, controversial and satirical relationships that the lawyers and politicians of Spain displayed in their busy and conflictive cultural life. Within the context of the greed of the papal entourage and the politics of Archbishop Alonso Carrillo during the difficult settlement of Rodrigo Borja’s legation in Alcalá de Henares, our work will study how the first dramatic-historical composition of the “Aposentamiento en Juvera” represents a codification of the literary representation of the fight against the infidel, as shown by some fragments which, treated with ambiguity and controversy, have led us to the cycle of the “poemas fronterizos”.

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