Авторовата хореография на Димо Енев като проявление на историко-традиционните рефлексии на приемственост в репертоара на фолклорен ансамбъл „Тракия“
The author’s choreography of Dimo Enev as a manifestation of the historical and traditional reflections of continuity in the repertoire of the folk ensemble “Trakia”

Summary/Abstract: The subject of the present material is the continuity between dance and music work created nowadays in the repertoire of the “Trakia” folk ensemble and the works created by Prof. Kiril Dzhenev in 1970s and 80s. The arguments stating that in the repertoire of the “Trakia” folk ensemble there is a certain continuity of creative views, direction and framework of the stage vision that offers us the concerts of the ensemble, are derived from the similarity between the work that is subject to analysis in the present study and choreographic works of Prof. Kiril Dzhenev.

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