ANDOVA ARHITEKTURA IZMEĐU ZAPADNE I JAPANSKE ESTETIKE: PROSTOR, SVETLOST, PRAZNINA
ANDO’S ARCHITECTURE BETWEEN WESTERN AND JAPANESE AESTHETICS: SPACE, LIGHT, EMPTINESS

Summary/Abstract: The work aims to present how comparative aesthetics as such, in a sense of transcultural aesthetics, has been actual and that its justification has been found inside architectural parts of Japanese architect Tadao Ando. Besides, the author has been seeking to register and percieve all the elements of Ando’s architecture which on one side its basis and origin find in Western architecture while on the other hand aimes to illuminate the crucial moments of Ando’s work whose existence has been based on traditional Japanese (Eastern) aesthetics of emptiness. Moreover, the interpretative approach has been mostly guided by Figal reflexive notes/references which thematize both important guidilenes of contemporary architecture as well as fundamental concepts of Ando’s work.

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