Forgetting Аbout Тraumatic Past? On the Position of Film Music Composers in Post-WWII Germany
Forgetting Аbout Тraumatic Past? On the Position of Film Music Composers in Post-WWII Germany
Author(s): Anna G. PiotrowskaSubject(s): History, Fine Arts / Performing Arts, Music, Recent History (1900 till today), Interwar Period (1920 - 1939), WW II and following years (1940 - 1949), Sociology of Art, History of Art
Published by: Muzikološki institut SANU
Keywords: film music composer; NS film music; German music after WWII
Summary/Abstract: This paper presents selected German film music composers who were active in Germany during the inter-war period as musicians trying to regain their position and renegotiate their role in the German post-war society marked by trauma and transition processes. Film music composers were believed to have stayed above politics and associated with a “harmless” type of music; therefore, they could adapt to the new situation comparatively more easily, particularly since the Allies had already treated musicians ambivalently. While pinpointing the reasons behind such a lenient attitude towards film music composers, the paper also touches on those rare cases when film music composers were actually accused of supporting the Nazi system.
Journal: Muzikologija
- Issue Year: 1/2024
- Issue No: 36
- Page Range: 45-61
- Page Count: 17
- Language: English