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Summary/Abstract: The epilogue discusses the longstanding dualism in Polish imagery, characterized by religious (altars) and political (thrones) representations. It highlights the societal difficulty in accepting dominant, oppressive images that pervade various spaces—churches, homes, schools, and public displays—prompting acts of subversion, such as altering images of notable figures like Gomułka or even the Virgin Mary. The text proposes an interpretation of cultural works that challenge dominant imagery, referencing Michel Foucault's concept of counter-history, which contrasts biblical history with Roman history. The former represents the marginalized voices of the weak, providing a narrative that opposes the justifications of power offered by the latter. Foucault argues that biblical discourse advocates for rebellion against unjust laws and the glorified status of institutions, while Roman discourse pacifies society and legitimizes authority. The radical challenge to established themes and images is portrayed as a plea for societal acceptance of subversion, rebellion, and resistance against "sacred" traditions and cultural roles.

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