Unsettling Melodies: a Cognitive Approach to Incongruent Film Music
Unsettling Melodies: a Cognitive Approach to Incongruent Film Music
Author(s): Steven WillemsenSubject(s): Theatre, Dance, Performing Arts
Published by: Scientia Kiadó
Keywords: film music; affective congruence; polarization; incongruence; cognitive-ecological theory
Summary/Abstract: Incongruent film music is a soundtrack, either diegetic or non-diegetic, which expresses qualities that stand in contrast to the emotions evoked by the events seen. The present article aims at covering two interconnected areas; the first is comprised of a critical recapitulation of available theoretical accounts of incongruent film music, whilst the second part of the paper offers an alternative, embodied-cognitive explanation of the audio-visual conflict which arises from this particular type of incongruence. Rather than regarding it as a phenomenon that works through disrupting conventions, we stress a perceptual-cognitive reason behind incongruence’s emotional strangeness.
Journal: Acta Universitatis Sapientiae, Film and Media Studies
- Issue Year: 2013
- Issue No: 07
- Page Range: 169-183
- Page Count: 15
- Language: English