Darkness as National Drama
Darkness as National Drama

Summary/Abstract: The renowned drama by Kole Čašule – organized in a fairly non-standard quadraphonic/four section form (in four parts, and not, as would have been customary, in four acts), entitled with quite the stigmatic and adequately connotative syntagm Darkness – is undoubtedly one of the key Macedonian dramas, and at the same time a drama that is laconically ("by automatism") attributed with being a "national classic", whatever this quite undetermined/undeterminable formulation means. The text that follows aims to study the potential meanings of this formulation, trying to argument them or raise them as problems with the help of exact and absolutely confirmable facts.

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