Odrodilci, zrádci, vrazi v bílých pláštích Obraz „Žida“ jako „nepřítele“ v propagandě pozdního stalinismu
Turncoats, Traitors, Murderers in White Coats: The Image of the ‘Jew’ as the ‘Enemy’ in Late Stalinist Propaganda

Summary/Abstract: When Stalinism was at its peak, between 1948 and 1953, there was a marked escalation in anti-Jewish manifestations y the Soviet régime, which has often been called ‘state’, ‘official’, or ‘Stalinist’ antisemitism. This article endeavours o provide an account of this by analysing the image of the ‘Jew’ in the propaganda of the time. The basis for the nalysis is the concept of the ‘image of the enemy’ as a basic figure of the totalitarian ideological canon. The article races the way in which the image was filled with meanings linked with the term ‘Jew’. To this end, the author employs emiotic textual analysis, which enables her gradually to uncover the character of the signs in the propagandistic anguage. She focuses on two propaganda campaigns that dominated the Soviet public space in this period. One was gainst so-called ‘cosmopolitanism’, from January to March 1949; the other was the so-called ‘Doctor’s Plot’ from anuary to March 1953. This method enables her to provide evidence of the anti-Jewish orientation of the campaigns, which have so far been deduced chiefly from quantitative lists of acts of repression against specific individuals of ewish descent. Analysis of the semantic field of the image of the ‘Jew’ then reveals the mechanisms that, because of he many layers of the sign character of this image, were used to provide reasons for the home and foreign policies of he Soviet régime, as well as to justify its problems at home and abroad. The last part of the article consists in onclusions that the author finds applicable to Czechoslovakia at that time.

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