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Wagner's Paradoxes

Summary/Abstract: Wagner’s theoretical views are comparable and equal to his musical genius. He creates a theorem of “The work of art of the future”. The theorem analyses interdisciplinary interactions between dramaturgy of artistic speech, of music in the perspective of bettering artistic performance, acting, and dancing in an opera performance. His brilliant analyses determine the emergence of a new type of opera. This essentially new type of dramaturgy explains some of the principles on which a screen work of art is built-the polyphonic structure of the plot. Wagner’s views are rooted in the film theory and practice. Eisenstein proves that in his brilliant monography “Sypathetic Nature”. In this way a specific aesthetic triangle of image creation thought is formed: Lessing-> Wagner-> Eisenstein.

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