Mi történik a végeken, de a rendszer gyomrában?
What is Going on Within the Belly of the System?

Summary/Abstract: By analyzing Matteo Garrone’s award-winning movie about the Camorra, the author argues that the movie has its very own means to suggest how the world of fear actually functions for those involved in the 2004/2005 gang wars of the Naples region. By the movements of the camera and the evolution of the plot the viewer feels very much involved into the specific context, not having an “outside” spot from where every aspect can be wholly explained, and therefore those who see the film are more likely to be involved in the plot through their emotions than through sophisticated argumentations.

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