Идеологеми на големия прелом в musica nova на ХХ век
Ideologemes at the Turning Point of the Twentieth Century
Author(s): Tsenka Yordanova Subject(s): Music
Published by: Институт за изследване на изкуствата, Българска академия на науките
Keywords: ideologies; ideologemеs; New Music; pre-war Viennese modernism – expressionism; pre-war Berlin modernity – New Objectivity/Neue Sachlichkeit; Arnold Schönberg; Alban Berg; philosophy of New Music; dodecaphony.
Summary/Abstract: The subject of this study is the reflexivity of the twentieth-century New Music of pre-war Viennese modernism and postwar Berlin modernity to the ideologies and ideologemеs. The text offers a glimpse into the limitations and foundations of musica nova, proclaiming those as the extremes and aspects of its false consciousness. Ideology defines the goals and the means of the extreme new musical language and new musical forms. Here the ideology and philosophy of modern music are thought in the broadest sense as the interpretative force of the innovative systems. The opposition between Viennese expressionism (modernism) Berlin – New Objectivity/Neue Sachlichkeit is exposed on the level of ideology and the ideologemes.
Journal: Българско музикознание
- Issue Year: 2014
- Issue No: 1
- Page Range: 3-28
- Page Count: 26
- Language: Bulgarian
- Content File-PDF
