Митарствата на душата в иконографията на страшния съд
The Aerial Tollboths in the Last Judgement Iconography
Author(s): Tatyana IvanovaSubject(s): Cultural history
Published by: Институт за изследване на изкуствата, Българска академия на науките
Summary/Abstract: The article deals with the teaching of tollbooths/toll-houses/toll-stations/ ordeals, their origin, sources, spread in Christian theological thought and subsequently, in iconographic eschatology: the composition of Christ’s Second Coming. In the fifteenth century in russia and ukraine, the classical Byzantine iconography of The Last Judgement underwent changes with one of the most impor- tant new features being a snake with twenty or twenty-one coils. Twenty coils of a snake symbolize the ordeals in the Life of St. Basil the New (tenth century), the main source of the teaching of ordeals, interpreted in a different manner in Orthodox literature and more often than not defined as apocryphal. This paper studies why ordeals were incorporated in The Last Judgement, as a result of what changes in Christian literature and what their significance was. The proper theological and historical hermeneutics of the development of the new russian-ukrainian iconography of The Second Coming helps clarify the Orthodox or Gnostic nature of the teaching of ordeals.
Journal: Проблеми на изкуството
- Issue Year: 2013
- Issue No: 4
- Page Range: 25-35
- Page Count: 11
- Language: Bulgarian
- Content File-PDF