Теоретические и методологические предпосылки исследования музыкальной моды
Theoretical and Methodological Grounds of the Research of Musical Fashion

Summary/Abstract: In this article the author describes interpretations and functions of fashion, social, aesthetic and art forms of its manifestation. Having studied cultural and musical tendencies throughout history as well as anticipated musical and pedagogic aspects of the impact of fashion the author introduces the notion of “musical fashion” which is seen as a spontaneously directed way of standardising aesthetic consciousness of an individual (this process is managed and regulated by show business and its impact on different layers of society is not regu-lated), a short-term norm of assimilating music according to its prestige and status.

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