ABOUT AUDITIVE FACTOR IN MUSIC
ABOUT AUDITIVE FACTOR IN MUSIC

Summary/Abstract: The article, structured from two parts, scientific-theoretical and practical-applicative describes the auditive factor of music. The question isn’t about “ear for music”, about “musical perception” or about “listening to music” in a traditional treatment of the given concept. These questions have been investigated widely and it has been written much about their role in musical activity. The author suggests a broader approach to the subject: treating fundamental factor in the auditory sense and defining the art of music, under its general aspects of cultural, philosophical, spiritual, psychological and derived from them and together with them in terms of specific-musicology. In the second part of the article the author presents a possible technology of forming listening and hearing competence, of understanding of an abscons message and of a musical creation, based on the principle of „interiorization of music”, formulated and elaborated by the author. As a result of the listener’s conceptualization of the problem and the practical work of growing competence mentioned above, a "new" musical hearing is formed, a new vision about music and about personal relationship with it, a new understanding of what we understand of this enigmatic art, the ultimate goal is building according to its sublime laws.

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