MELODY, RHYTHM, COLOR. A GENUINE VISION UPON ORFF METHOD
MELODY, RHYTHM, COLOR. A GENUINE VISION UPON ORFF METHOD
Author(s): Luminiţa DuţicăSubject(s): Music
Published by: Editura ARTES
Keywords: Orff method, syncretism, percussion, rhythm, polyphony, ostinato, musical play
Summary/Abstract: The Orff-Schulwerk pedagogical model has imposed as one of the most attractive and efficient method of musical education where the rhythm and percussion instruments play a fundamental role. Synchronic perspective, especially the diachronic perspective upon this phenomenon indicates a permanent update and enrichment both of the concept itself and modalities of practical concretization. The present study refers to personal results obtained by the vocal-instrumental children assembly Alpha Lirae that I conduct since 2007, a band that has promoted in Romania and outside the borders a modern musical repertoire based on the exploitation of rhythmic and melodic virtues of Romanian songs with oral tradition. I will highlight the playful dimension of interpreted works by revealing the polyphonic play, techniques of modern composition and coloring that derive from diversification of vocal-instrumental combinations.
Journal: Review of Artistic Education
- Issue Year: 2014
- Issue No: 07+08
- Page Range: 74-91
- Page Count: 18
- Language: English
- Content File-PDF