Opera audiovizuală şi specificul ei
Audiovisual works and its specific

Summary/Abstract: Over the time, among the authors of spiritual creations, the image of the producer of cinematographic works has not been one of the most favorable. Sometimes blasted, sometimes considered either ignorant or abusive and, most of the times, unknown from the point of view of his/her role and actual involvement in the creation of audiovisual works, having almost an unfortunate position between being a creator and also manager of a project of such complexity, the producer has been the promoter of art and, at the same time, of the cinematographic industry. From the perspective of a lawyer and also young movie author, this work attempted, through a trans-disciplinary approach, to present and emphasize both the actual process of movie production, the possible shortcomings of the legal provisions in this field, and the producer's role from the first scene to the mega productions of our days, his/her involvement beyond the organization and provision of financial and material means required for making the cinematographic work, in the creation process and his/her own intellectual creation contribution during each stage and under almost each aspect of the audiovisual work, in its complexity and his/her responsibility in the production process.

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