Do We Also Have Rigours… Or is it All Instincts?...
Do We Also Have Rigours… Or is it All Instincts?...

Summary/Abstract: The new generation of theatre people is gaining nowadays more and more autonomy from the traditional institutionalized models. The artist that unfolds his/her activity in the new millennium is often a self-educated person who must acquire organisational skills, totally focus on his/her projects and see beyond his/her writing. Drama is nowadays deeply rooted in the present, but, somehow, we might witness cases when an excessive ‘present’ is harmful in our theatres (the performance Rosia Montana from a physical and political point of view at Hungarian State Theatre in Cluj, a collaboration with dramAcum, a text by Peca Ştefan, directed by Gianina Cărbunariu, Andreea Vălean and Radu Apostol and the performance A middle state of degradation at Teatru Fix in Iaşi, a text by Peca Ştefan, directed by Ovidiu Caiţa). The drama of nowadays has given up its rigour of mystery, shall we witness a display of “instincts”?

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