Boska władza reżysera. Karel Hugo Hilar – pierwszy nowoczesny reżyser w czeskim teatrze
The Divinity of Director’s Power. Karel Hugo Hilar – the First Modern Czech Theatre Director
Author(s): Sylwia CzachórSubject(s): Theatre, Dance, Performing Arts
Published by: Uniwersytet Adama Mickiewicza
Keywords: 20th Century Czech Theatre; Hilar; Reinhardt; Craig; theatre directing theory; scenic reality
Summary/Abstract: The aim of this research was to characterize changes in the perception of a function of theatre director at the begging of the 20th century. The Czech theatrical culture taking the pattern of great European theatre reformers of that time, created a genuine theatrical theory of directing. Its first representative and implementer was Karel Hugo Hilar. His work was based on an assumption that a director is the highest instance in a preparation of performance, that can be compared only to a role of a sovereign. Moreover, Hilar was the first in the Czech cultural context to call a director the creator of a scenic reality. A reality that would represent a current world view transformed by theatrical means and the creative imagination of an artist.
Journal: Poznańskie Studia Slawistyczne
- Issue Year: 2013
- Issue No: 05
- Page Range: 75-87
- Page Count: 14
- Language: Polish