L’OPÉRA JONAS D’ANATOL VIERU. 1. SYMBOLES ET INTERPRÉTATIONS POLITIQUES
THE OPERA HOUSE OF JONAS ANATOL VIERU.1. SYMBOLS AND POLITICAL INTERPRETATIONS
Author(s): Luana StanSubject(s): Music
Published by: Studia Universitatis Babes-Bolyai
Keywords: Anatol Vieru; Jonas (Iona); Escher; Eliade; Ionesco; Sorescu; metamorphosis; symbols; communism; absurd; surrealism; identity; Romanian music; musical analysis; contemporary music; music after 1945; musicology.
Summary/Abstract: The aim of this text is to analyse the opera Jonas (1976) of the Romanian composer Anatol Vieru. The first part is concentrated on the interpretations of the literary and musical symbols of this opera in the communist political context. The second part is analysing the specific structures and the symmetries (palindromes).
Journal: Studia Universitatis Babes-Bolyai - Musica
- Issue Year: 55/2010
- Issue No: 1
- Page Range: 183-199
- Page Count: 17
- Language: French
