THE FOURTH DIMENSION IN AUREL STROE’S MUSIC
THE FOURTH DIMENSION IN AUREL STROE’S MUSIC

Summary/Abstract: Dinu Ciocan is the one who found first similarities between the work of art and the fuzzy set, which is subject to gradual change. In compositional art, Aurel Stroe translates these notions into his music. This perspective is very adequate, especially as it belongs to the mathematical notions that are very close to the aesthetics of the work of art, which involves the poetic dimension, the ethics of the intentional ambiguity and the vague character.

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