Mit społeczeństwa postrasowego. Don Giovanni Wolfganga Amadeusza Mozarta w inscenizacji Petera Sellarsa
The Myth of the Post-race Society. Wolfgang Amadeus Mozart’s Don Giovanni staged by Peter Sellars

Summary/Abstract: Bogucki analyzes Mozart’s Don Giovani as staged by Peter Sellars, from an anthropological and sociological perspective. He stresses Sellars’ roots in the counter-culture, and as a man who believes that opera is primarily a social art, and the one with the greatest effect on contemporary viewers. Bogucki believes that by bringing race issues into his production, Sellars demonstrates that the Enlightenment community central to Mozart’s original opera remains a phantasmagorical undertaking.

• Details
• Contents