THE INTERCULTURAL DIMENSIONS OF THE AVANT-GARDISTE ART AND ITS DIRECT IMPLICATION AS A MEANS OF MEDIATION AND COMMUNITY ACTION
THE INTERCULTURAL DIMENSIONS OF THE AVANT-GARDISTE ART AND ITS DIRECT IMPLICATION AS A MEANS OF MEDIATION AND COMMUNITY ACTION

Summary/Abstract: The aesthetic viability of the real world and the superfluous character of contemporary art, explicit and ironic sometimes, entails the intercultural dimension within the artistic education, which makes visual art and fashion become a medium for the action and comunitary mediacies. At the end of the 19th century and beginning of the 20th, under the modernism of the avant-gardist European art, we are witnessing a dialectic report between truth and beauty. This dialogue is created most of the times through the common orientation schools (Fluxus, Pop art, Nuveau Realism, Nul, conceptual and random art) as a result of the Duchampian paradigm. Thus, art itself becomes a self-distructive communication act which closes the discourse that generated it and, in which the object’s aetsthetic contributes to a more effective reception, according to the cultural norms and patterns determined by the pluralist cultural fields.

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