Tehnică şi expresie în lucrarea 80 after Max de A. Borza, realizată prin IT
Technique and Expression in the Piece 80 after Max by A. Borza, Composed Using IT
Author(s): Carmen PlaianSubject(s): Music
Published by: MediaMusica
Keywords: Electro-acoustic; computer; algorithmic composition; composition
Summary/Abstract: 80 After Max is part of the composer’s series of works (among which we find Yak, Music for Keyboard and Interactive Computer, Today is the Day, Relocation) which graft an instrumental thinking operating with notes, not sounds (Phillipe Manoury), into the specific electronic composition.
Journal: Tehnologii informatice şi de comunicaţii în domeniul muzical
- Issue Year: II/2011
- Issue No: 2
- Page Range: 89-92
- Page Count: 4
- Content File-PDF