Sośnicki, poeta z kamerą
Sosnicki, a Poet with a Camera

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Summary/Abstract: The article is an “intermedia” attempt to analyse Dariusz Sosnicki’s debut work. The consequence of this type of perspective (confronted with more traditional techniques of reading) is its treatment of a poem not so much as a work whose meaning must be decoded, as a recording of certain actions that mimic the gestures of a “man with a camera”. The primary object of study is, thus, a rhetorical game between the poetic phrase and the film cadre. The figure of the reader incorporated in the article is representative of readers today, whose perceptual habits have been shaped by audiovisual media.

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