STYLISTIC TENDENCIES IN THE WORKS FOR ACCORDION BY UKRAINIAN COMPOSERS IN THE LATE 20TH – EARLY 21ST CENTURIES
STYLISTIC TENDENCIES IN THE WORKS FOR ACCORDION BY UKRAINIAN COMPOSERS IN THE LATE 20TH – EARLY 21ST CENTURIES
Author(s): VICTOR SPODARENKOSubject(s): History, Social Sciences, Education, Fine Arts / Performing Arts, Cultural history, Music, Essay|Book Review |Scientific Life, Cultural Essay
Published by: Wydawnictwo Naukowe Akademii Pomorskiej w Słupsku
Keywords: neo-folklorism; neo-romanticism; neo-classicism; music works for accordion; Ukrainian composers
Summary/Abstract: The stylistic panorama of the 20th century music is notable for an aesthetic variety ofworks by different composers and compositional schools. This fact is corroborated by theambiguity and plurality of musical cultures, made manifest by certain artistic trends andtendencies transpiring during the late 19th and early 20th centuries. As the century progressed, certain artistic tendencies underwent a transformation and evolved into other stylistic novelties. The works for the accordion by Ukrainian composers display folk-like influences and project an array of aesthetic approaches to the idea of musical personification. This is most clearly expressed in the way the composer: (1) borrows the material from folklore; (2) appeals to lyrical, psychological, expressive and figurative characteristics of work of art with the expression of the process-emotional nature of person’s “inner world”; (3) experiments with associative references such as, intonation, intonemas, and grief; (4) employs programmatic narrative; (5) uses epigraph and musical quotes; and (6) makes clear references to the genres and techniques of baroque and, occasionally, early classical music.
Journal: Ars Inter Culturas
- Issue Year: 2014
- Issue No: 3
- Page Range: 69-77
- Page Count: 9
- Language: English