Аудио-визуалният контрапункт във филма „Клетниците“ на Том Хупър
Audiovisual Counterpoint in Tom Hooper’s Adaptation of Les Misérables

Summary/Abstract: The paper examines director’s quest for cinematic conventionality and especially, the use of audiovisual counterpoint as a methodological reference point in an attempt to steer clear of a conventional approach. The analysis is based on the disagreement between using the poetic-musical and realistic principles in building Tom Hooper’s adaptation of Les Misérables.

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