Аудио-визуалният контрапункт във филма „Клетниците“ на Том Хупър
Audiovisual Counterpoint in Tom Hooper’s Adaptation of Les Misérables
Author(s): Peter OdadjievSubject(s): Fine Arts / Performing Arts, Music, Visual Arts, Film / Cinema / Cinematography
Published by: Институт за изследване на изкуствата, Българска академия на науките
Summary/Abstract: The paper examines director’s quest for cinematic conventionality and especially, the use of audiovisual counterpoint as a methodological reference point in an attempt to steer clear of a conventional approach. The analysis is based on the disagreement between using the poetic-musical and realistic principles in building Tom Hooper’s adaptation of Les Misérables.
Journal: Изкуствоведски четения
- Issue Year: 2014
- Issue No: 9
- Page Range: 164-173
- Page Count: 10
- Language: Bulgarian
- Content File-PDF