Maitreyi & It Does Not Die as a New Stage Approach Cover Image

Maitreyi & It Does Not Die as a New Stage Approach
Maitreyi & It Does Not Die as a New Stage Approach

Interview with Director Adrian Roman, U.S.A

Author(s): Cristina Scarlat, Adrian Roman
Subject(s): Theatre, Dance, Performing Arts
Published by: Editura ARTES
Keywords: Eliade, Maitreyi Devi; The Bengali Night; It Does Not Die; theatre; Adrian Roman; Baia Mare;

Summary/Abstract: A theatre director born in Romania and living now in New York, Adrian Roman has studied Indian philosophy at Delhi University, India, in Master of Philosophy Program and he holds a Master of Fine Arts degree in Theatre Directing from Columbia University, School of the Arts, USA. He has taught at the Theatre and Television Faculty in Cluj-Napoca. In Romania, he has also staged plays by authors such as Yasmina Reza (Art), Chekhov (The Wedding), Mircea Eliade (Maitreyi), Shakespeare (Richard II) working with the National Theatre in Cluj, Teatrul de Nord in Satu Mare and Teatrul in Baia Mare. In New York and U.K., he staged The Lesson by Eugen Ionescu (Riverside Theatre), He/She by Nanna Mwaluko (Nuyorican Poets Café), The Redevelopment by Vaclav Havel (Columbia University), Hurt by Saviana Stănescu (Manhattan Repertory Theatre), Soundwaves: The passion of Noor Inayat Khan by Joe Martin (New York Fringe Festival - Official Selection), and My Stubborn Tongue by Anna Fishbeyn (SOHO Theatre in London, UK).

  • Issue Year: 2016
  • Issue No: 21
  • Page Range: 263-272
  • Page Count: 10
  • Language: English