SEMIOTICA EXPERIMENTALĂ DIN ARTE POVERA
The experimental semiotic in arte povera

Summary/Abstract: ″Él arte povera″ is the art of the „poor” materials collected accidentaly. The art after the 1950's, became a formalized art, ″materialistic″ art and conceptual art too. We also can talk about an art composed by materials like a file from a newspaper, a piece of glass, a piece of an old cloth gathered at random or by mistake, which makes us to think to the ludic intention of the art once described by Johann Huizinga or to the ludic intention which needs to be taken seriously likes Hans Gadamer said. ″El arte povera″ retrieves these trends into principles, but it conserves the originality and the liberty of the invention. This type of art is always looking for natural images and natural spaces. ″El arte povera″ creates a world with it's own forms of expression, own forms of colors and it's own plastic-pictorial language very original. ″El arte povera″ contains as pretext the condition of the plastic / pictorial experiment. Nevertheless, this type of pictorial experiments has generated some trends in the area of the 1970's arts like the movement intitulated Surfaces in Italy and the earthart or enviromental art- all of them placed under the same linguistic umbrella of the ambiental arts.

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