Dźwięki natury a sztuka dźwięku. O rozumieniu reprezentacji w fonografii
The Sound of Nature and the Art of Sound: Concepts of Representation in Phonography

Summary/Abstract: Tuszyńska confronts two seemingly distant notions, namely representation as an aesthetic category, and one type of phonography, namely musique concrète and the technology of open-air recording that goes with it. Thus she highlights a question that has been overlooked by theorists of representation as well as by musicologists. By confronting Michał Paweł Markowski’s models of representation with Pierre Schaeffer’s theory of musique concrète, Tuscyńska points to problems in representation that do not appear when we apply this concept to other artistic forms. This problem provides an impetus to examine musique concrète from a non-musicological perspective.

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