LANDMARKS IN THE POETICS OF ACTING. THE RELATIONSHIP AUTHOR – ACTOR IN THE PROCESS OF SCENIC CREATION
LANDMARKS IN THE POETICS OF ACTING. THE RELATIONSHIP AUTHOR – ACTOR IN THE PROCESS OF SCENIC CREATION

Summary/Abstract: The character of the dramatic text is a virtual model communicated by literary signs, and the actor has to go through a philological documentation step in order to make the role. The dramatic text represents a lot of ideas put in pyramidal way, on the top being the major idea who gives the text’s power.Through the scenical communication, is made the decodification of the dramatical literary language. The meanings of the literary text are communicated by the living art of the actor, so the dramatic work knows the catharsis of her metamorphosis in spectacular values.The power of the said word, of the literary language, put unbelievable virtues to the visual elements. The scenical image is completed by the art of the word.This paper refers to the debate and the effort which have to be done to understand some ideas like: discovering of the creative individuality, the creation and the creativity specific to the artistic act of the actor and mostly, the implementation of the creative instinct and of the permanent need of knowledge of the artist.All the theatral experiments and the concepts made by important theater theorists or by the philosophers, which are explain in this paper, took into consideration a court theater with a more or less passive role: the spectator. Many times the show is transformed into an experiment which the spectator doesn’t know to practice. And in this case, one of the most important instance is the professional actor, who, through his role can change radically the view of the spectator to the world and mostly towards himself. The actor’s freedom must be a freedom rationally assumed, but it also has to follow one of the perene finalities of the theatrical representation.

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