ETICKÉ A FILOZOFICKÉ ASPEKTY BLASFÉMIE AKO UMELECKÉHO PRINCÍPU
ETHICAL AND PHILOSOPHICAL ASPECTS OF BLASPHEMY AS AN ARTISTIC PRINCIPLE
Author(s): Romana Štorkova MalitiSubject(s): Theatre, Dance, Performing Arts, Gender Studies, Aesthetics, Sociology of Culture, Sociology of Art
Published by: Ústav divadelnej a filmovej vedy SAV
Keywords: blasfémia; bohohľadačstvo; duchovná kríza; cenzúra; Pussy Riot; Timofej Kuľabin; Ivan Vyrypajev;
Summary/Abstract: This study focuses on three instances of blasphemy in contemporary Russian culture: an artistic civic act (the performance of the Pussy Riot group in the Cathedral of Christ the Saviour), musical theatre (the directorial interpretation of Richard Wagner’s opera Tannhäuser) and theatre texts (plays by the contemporary Russian playwright Ivan Vyrypaev). Different forms of blasphemy in particular works of art or artistic acts, as well as the consequent social discourse about them or social political impact on the main parties involved, give a picture of the social and political situation in Russia, the relationship of art, politics, power and censorship, as well as of the ethical values of contemporary society.
Journal: Slovenské divadlo
- Issue Year: 64/2016
- Issue No: 02
- Page Range: 224-232
- Page Count: 9
- Language: Slovak
