Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let
Eva Kmentová and the Body Imprint in the Sixties and Seventies Art
Author(s): Tereza HruškováSubject(s): Fine Arts / Performing Arts
Published by: Univerzita Karlova v Praze, Nakladatelství Karolinum
Keywords: Eva Kmentová; Jindřich Chalupecký; Giuseppe Penone; George-Didi Huberman; Yve-Alain Bois; Rosalind Krauss; Konfrontace (The Confrontation); body imprint; index; photography; object; informe; formlessn
Summary/Abstract: This work deals with a physical body imprint in Art of sixties and seventies, analysing – in a form of comparative and case studies – selected works of the Czech sculptor Eva Kmentová (1928–1980). The issue of body imprint is gripped in a broader theoretical context and is based on decisive foreign works of George Didi-Huberman and of Rosalind Krauss with Yve-Alain Bois. The aim of the thesis is to show another possible perspective of Kmentová’s work in the much broader international perspective.
Journal: Acta Universitatis Carolinae Philosophica et Historica
- Issue Year: XXII/2016
- Issue No: 1
- Page Range: 147-176
- Page Count: 30
- Language: Czech
