SYNTACTIC AND TIMBRAL STRUCTURES IN ANTON ZEMAN’S SYMPHONY NO. 2 “ALIAJE”
SYNTACTIC AND TIMBRAL STRUCTURES IN ANTON ZEMAN’S SYMPHONY NO. 2 “ALIAJE”

Summary/Abstract: Conceived in one single movement, Anton Zeman's Symphony no. 2 ”Aliaje” exhibits, thanks to the modern language, compositional technique and graphic icons employed by the composer, an instance of his view on Romanian spirituality. The symphony springs from a process of transformational evolution of the areas having a global effect, with various manifestations of sonorous density, technical constitution or timbral nature. There are several sonorous characters of a syntactic, dramaturgic or timbral sort which give voice to the Aliaje (Alloys) in a complex symphonic background.

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