Aspects of Capitalizing on the Folkloric Source in the Work Concerto Brevis The Clock by Valentin Doni
Aspects of Capitalizing on the Folkloric Source in the Work Concerto Brevis The Clock by Valentin Doni

Summary/Abstract: Valentin Doni (born 1955), originally from Moldova, is a complex musician, known as conductor, composer and performer. In the general context of contemporary music, he has captured the interest of both melomaniacs and industry critics. The national musical ethos, as the composer mentioned himself, has always been his source of inspiration. He attempted and succeeded at “reconciling” folklore melodies with modern compositional techniques. His extremely personal way of musical thinking has evolved over the years into a perfect use of musical folklore, which he adjusted to his own musical thought and which was ultimately essential in creating original artistic works. Proof of this is Concerto Brevis The Clock, which stands out through its structural and conceptual unity, its dynamism, the logic of the musical discourse, and the rich orchestration. The musical theme, on which the musical variations are based, has been taken across from the repertoire of the folk musician Filip Todirascu. Concerto Brevis The Clock is a unique example of capitalizing on the folkloric source in the most direct and profound way. Valentin Doni uses a well-known folkloric source creatively, transforming it into a masterpiece of academic music. This is due to his talent to perceive timber nuances, to orchestrate, and manipulate the musical sonority, as well as his deep knowledge of music and of aspects of traditional violin performance.

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