TECHNIQUE AND THEORY UPON COMPOSITION VERSUS COMPOSITIONAL WORK AS RESULT OF RECEPTION (II)
TECHNIQUE AND THEORY UPON COMPOSITION VERSUS COMPOSITIONAL WORK AS RESULT OF RECEPTION (II)

Summary/Abstract: All throughout the history of science, different theories emerge trying to answer the challenges raised by the experience of human beings in their quest for knowledge. In art and in music, the theories are called upon to justify decision systems that lay behind the compositions of great artists. There are different possible ways of viewing the behavior of a resonant system. A good theory, established in order to set up the complexity levels by which this behavior is manifested, is a way of “defending science and rationality” (Popper). From this perspective, a univocal interdependence is established between the psychological disposition of the composer and the intelligibility level projected into the receptor’s conscience.

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