The Computer Generated Art/Contemporary Cinematography And The Remainder Of The Art History. A Critical Approach
The Computer Generated Art/Contemporary Cinematography And The Remainder Of The Art History. A Critical Approach

Summary/Abstract: The paper analyses the re-conceptualization of the intermedialtrope of computer generated images/VFX in recent 3D works/cinemascenes through several examples from art history, which are connectedwith. The obvious connections between art history and images are notconceived primarily as an embodiment of a painting, the introduction ofthe real into the image, but prove the reconstructive tendencies ofcontemporary post-postmodern art. The intellectual, the casual, or theobsessive interaction with art history shown by the new film culture, isalready celebrated trough 3D computer generated art, focused to aconsistently pictorialist cinematography.

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