ЧЕСТВАНЕТО НА СМЪРТТА И КИНЕМАТОГРАФИ- ЧИЯ ПОДХОД НА ИВАН ДАВИДКОВ В ПОВЕСТТА „ДАЛЕЧНИТЕ БРОДОВЕ”
THE FIEST OF DEATH AND THE CINEMATIC APPROACH IN IVAN DAVIDKOV’ S NOVEL “DISTANT FORDS”

Summary/Abstract: The research emphasizes on the conceptual structure of the short story „ Distant fords“ by Ivan Davidkov, where classic flashback is transformed. By means of ever cinematic approach, the memory of the childhood is restored on the principle of the mosaic, where each frame-fragment is a visual touch in the whole history of the past. Plot is not fragmented at all, it is even quite comprehensive in terms of happening, conceptual explication as all individual fragments are assembled by gradation into one another, provoked by sensory or external association. The narrative line „a secondary narrative story weaven into the main one“ affects both personal stories of the narrator and of many other people.

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