THE FIEST OF DEATH AND THE CINEMATIC APPROACH IN
IVAN DAVIDKOV’ S NOVEL “DISTANT FORDS” Cover Image

ЧЕСТВАНЕТО НА СМЪРТТА И КИНЕМАТОГРАФИ- ЧИЯ ПОДХОД НА ИВАН ДАВИДКОВ В ПОВЕСТТА „ДАЛЕЧНИТЕ БРОДОВЕ”
THE FIEST OF DEATH AND THE CINEMATIC APPROACH IN IVAN DAVIDKOV’ S NOVEL “DISTANT FORDS”

Author(s): Galina Dimitrova
Subject(s): Language and Literature Studies, Studies of Literature, Bulgarian Literature, Philology
Published by: Универзитет у Крагујевцу
Keywords: flashback; cinematic approach; frame;fragment;association;meta-memory;kay;music;ritual; death; wedding

Summary/Abstract: The research emphasizes on the conceptual structure of the short story „ Distant fords“ by Ivan Davidkov, where classic flashback is transformed. By means of ever cinematic approach, the memory of the childhood is restored on the principle of the mosaic, where each frame-fragment is a visual touch in the whole history of the past. Plot is not fragmented at all, it is even quite comprehensive in terms of happening, conceptual explication as all individual fragments are assembled by gradation into one another, provoked by sensory or external association. The narrative line „a secondary narrative story weaven into the main one“ affects both personal stories of the narrator and of many other people.

  • Issue Year: XIV/2013
  • Issue No: 50
  • Page Range: 187-197
  • Page Count: 11
  • Language: Bulgarian
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