Filmmakers to Themselves? Czech Documentary Cinema After 2000
Filmmakers to Themselves? Czech Documentary Cinema After 2000
Author(s): Lucie ČesálkováSubject(s): Social development, Transformation Period (1990 - 2010), Film / Cinema / Cinematography, Marketing / Advertising, Globalization, Sociology of Art
Published by: Uniwersytet Adama Mickiewicza
Keywords: Czech contemporary documentary; Czech Television; Institute of Documentary Cinema; Jihlava International Documentary Film Festival;
Summary/Abstract: The development of Czech post-socialist documentary cinema was significantly influenced by the process of privatization of Short Film (the former resource base for documentary film-making). In the early 1990s, the documentary, as a rather unprofitable area of film-making, was not a priority for the rapidly developing field of domestic production. As such, documentary was fully dependent on collaboration with the television industry. This study, however, focuses mainly on the period after the year 2000, and analyses its main trends. Special attention is paid to the establishment of new institutions to support the development and production of film, as well as new marketing and exhibition platforms. Documentary film-making in a small post-socialist country is here treated as being embedded in and influenced by a web of inter-relations between filmmakers, Czech Television, the Institute of Documentary Cinema and the Jihlava International Documentary Film Festival.
Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
- Issue Year: 15/2014
- Issue No: 24
- Page Range: 41-50
- Page Count: 10
- Language: English