THE MEANING OF THE CONCERT PHENOMENON PRINCIPLE IN A CONTEMPORARY CHORAL CONCERT (M. SKORYK "SACRED CONCERT")
THE MEANING OF THE CONCERT PHENOMENON PRINCIPLE IN A CONTEMPORARY CHORAL CONCERT (M. SKORYK "SACRED CONCERT")

Summary/Abstract: Purpose of Article. The concert phenomenon is a style attribute of a choral concert genre of the late XVII-XVIII centuries. In choral concerts of the modern Ukrainian composers this phenomenon is being reinterpreted a lot. The purposes of the work are to determine and to characterize the concert attributes in choral concerts of baroque and classicism stages, and to analyze the contemporary examples of a choral concert genre, whereas the concert features lose its leading meanings. Methodology. The methodology of the research is based on historical-typological and genre-stylistic methods. The historical-typological method is connected with the problems of historical evolution of the Ukrainian sacred music, the genre-stylistic method deals with the questions of contemporary music analysis. Scientific novelty. The scientific novelty of the work is defined by the fact that the interaction of the concepts "concert – concert phenomenon" in the genre of sacred concert did not get proper interpretation in scientific literature. Conclusions. The conclusions lay in justifying the reasons according to which the authors of the modern choral concerts gradually refuse from the concert phenomenon attributes in their works.

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