THE PSYCHOLOGICAL FABRIC OF ETHICAL SUBJECTIVITY 
IN WOODY ALLEN’S FILMS Cover Image
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THE PSYCHOLOGICAL FABRIC OF ETHICAL SUBJECTIVITY IN WOODY ALLEN’S FILMS
THE PSYCHOLOGICAL FABRIC OF ETHICAL SUBJECTIVITY IN WOODY ALLEN’S FILMS

Author(s): George Lăzăroiu
Subject(s): Methodology and research technology
Published by: Editura Fundaţiei România de Mâine
Keywords: Allen; cinematic narrative; cultural identity; illusion; reality; self-reference

Summary/Abstract: This article reviews Bailey and Girgus (2013) and supplements it with theoretically based empirical research. In the present paper, I focus on the philosophical substance of Allen’s films, his employment of framing devices and films-within-films, his romantic links with popular culture, and his utilization of various aesthetic forms. The mainstay of the paper is formed by an analysis of Allen’s development of the cinematic narrative, his self-conscious formulation of his own auteur distinctiveness, the depressing tonalities in his films, and the fixation on death in his work.

  • Issue Year: 18/2017
  • Issue No: 1
  • Page Range: 56-67
  • Page Count: 12
  • Language: English
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