Miejsca puste. Ucho wewnętrzne
Empty Place

Summary/Abstract: This sketch briefly outlines the theme of musical improvisation considered in Internal Ear, a musical documentary by Magdalena Gubała and Szymon Uliasz (2016). The context consists of reflections by Tadeusz Sławek (in particular the “cautious hospitality” formula and the Derridean ”unlimited hospitality” formula) and Cezary Wodziński (the Hospitality formula). The text also refers to inviting the Other to share a place at a table, envisaged as a possibility of meetings and conversations, not only musical, within the open-attitude gesture. Internal Ear is a sui generis musical film essay, and the author of this text (who is also the film’s co-director) brings the reader closer to the essential aspects of thinking about it and the circumstances in which it was created.

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