ILOCUTORY TENSION AND POETICAL UTTERANCE
ILOCUTORY TENSION AND POETICAL UTTERANCE

Summary/Abstract: Encapsulating the perception of the universal contemplation into the frame of language is to semiotize the sensible world through an imaginary process, it is to capture some dimensions of the ilocutory tension which becomes utterance. It is to imagine the harmony of the nature into a semiotic frame as this imaginary doesn t let itself captured in its hidden status but darting from its intimate structure through certain linguistic strategies and generating a unity – that of the linguistic imaginary. This idea is also presented by Tzvetan Todorov in the Decameron Grammar, who configurates the concept of the universal grammar, a modular system sub-devided into modus essendi, modus intelligendi and modus significandi. A system corresponding to three sides of the creation : the universe, the human perception and thinking and the language. Thus we consider their interaction is generating another unity which, on its turn, draws both the descriptive and the orphic explanation of the world.

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