DE LA PERCEPTION ET DE L’EMOTION DANS LE FILM TOUCH
ON PERCEPTION AND EMOTION IN THE "TOUCH" FILM

Summary/Abstract: The paper presents a psychological analysis of a modern myth which carries away some powerful archetypes. Today; the world of cinema is a big reservoir of psychological symbols and for that it presents itself like a new fairytale. Also, these modern myths represent our self diagnoses which show us all the forms of some disorders in the psychological dynamism. And today we face with a difficult issue due to an oversize of rational and intellectual aspects of our actions. But in the core of this issue we find also the cure. If we take the mathematics as reference axe for the reason and the pure thought, we find sometimes that in the core of this perfect mind construction – which is the mathematics – there are some seeds of the emotional and sensorial aspects of life. There are no pure thought and there are no pure emotions and perceptions. This “purity” is just an ephemeral state in our mind which demands rapid changes into more stable states.

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