L’art comme présentation chez Gadamer. Portée et limites d’un concept
The art as presentation in Gadamer's philosophy. Scope and limits of a concept
Author(s): Jean GrondinSubject(s): Philosophy, Aesthetics, Hermeneutics
Published by: Wydawnictwo Uniwersytetu Jagiellońskiego
Keywords: Gadamer;presentation;performance;interpretation;participation;epiphany
Summary/Abstract: The notion of presentation (Darstellung) is a key concept of Truth and Method and of Gadamer’s hermeneutics as a whole. It has however many levels of meaning that this article seeks to sort out: presentation as 1) performance, 2) interpretation, 3) revelatory epiphany and 4) participation (festival). The aim of this article is to show how this strong conception of presentation makes it possible to understand the unity of Truth and Method and to grasp the non relativistic intent of its important theses on interpretation and language: in both cases, interpretation (or the linguistic expression) must be understood as the unfolding of meaning that stems from the work or the thing itself.
Journal: Estetyka i Krytyka
- Issue Year: 43/2016
- Issue No: 4
- Page Range: 85-100
- Page Count: 16
- Language: French