The Call of the Dolphin in God’s Ear (or how is the theatre making the invisible, visible)
The Call of the Dolphin in God’s Ear (or how is the theatre making the invisible, visible)

Summary/Abstract: Starting from the assumption that a dialogue of the means of expression specific to various arts should aspire, in the theatrical representation, to symbiosis, I’m looking at the performance with Job’s Butcher’s Shop, by Fausto Paravidino, directed by Radu Afrim, performance which recently had its opening-night at the National Theatre in Iaşi. I’m referring to the confluence of live music, acting and video images, proposing possible connexions and echoes one might consider.

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