W sieci
In the Net

Summary/Abstract: The author analyzes two plays of the ten best German-language performances put on during the Berlin Theatertreffen Festival. Macbeth, directed by Karin Henkel, had an ambiguous reception – some missed the fleshed-out Shakespearean characters, others admired the director’s bold interpretation. There was only enthusiasm, on the other hand, for Kill your Darlings! Streets of Berladelphia by René Pollesch, featuring Fabian Hinrichs. The author also notes that the festival performances were strongly rooted in the context of the current political events.

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