Kinų Estetiškumo Samprata Ir Vaizduojamosios Dailės Traktatų Savitumas
The Concept of Chinese Aesthetics and the Peculiarities of Fine Art Treatises
Author(s): Antanas AndrijauskasSubject(s): Visual Arts, Aesthetics, East Asian Philosophy, Cultural Anthropology / Ethnology
Published by: Visuomeninė organizacija »LOGOS«
Keywords: Chinese aesthetics; art theory; Confucianism; Taoism; Laozi; Zhuangzi; Mazu Daoyi;
Summary/Abstract: This paper explores various aspects of traditional Chinese aesthetics and the specific features of its inherent concepts. It focuses on the ancient mythical sources of the aesthetics; analyzes in detail the development of its concepts in classical Confucianism, Taoism and Chan writings; concisely describes specifics of all major trends of Chinese aesthetic approaches to the aesthetic nature of art and the fundamental cognitive problems; reveals the theoretical and methodological art criticism and aesthetic approaches to the phenomena of artistic differences; highlights the relations between aesthetic concepts of art criticism and actual needs of artistic practice; on the basis of comparative analysis it examines the peculiarities of Chinese art of calligraphy and painting described in various treatises.
Journal: LOGOS - A Journal of Religion, Philosophy, Comparative Cultural Studies and Art
- Issue Year: 2014
- Issue No: 80
- Page Range: 65-72
- Page Count: 8
- Language: Lithuanian